"The growth of hip hop into a worldwide cultural phenomenon is a testament to the creativity, innovation, and passion of New York City," said Mayor Adams. The presence of KRS-One, representing hip hop's longtime leadership, ensures that these block parties will not only be a celebration of the past, but a powerful inspiration for the future of this influential art form. As the birthplace of hip hop, New York City will also celebrate and honor the genre's musical and cultural transformation over the past 50 years through citywide initiatives, including a collaboration with LISA Project NYC to create 50 murals across all five boroughs to pay homage to hip hop's rich history and community impact. Additionally, the city is collaborating with Pixis Drones to create and perform a free drone light show at each of the parties, honoring iconic hip hop imagery. These events will feature an exceptional lineup of renowned DJs and seminal artists alongside street art installations, food vendors, interactive experiences, and educational-entertainment talks. Longtime teacher, cultural leader, and hip hop icon KRS-One will collaborate with the city as well to help curate and perform at the block parties. (1993), Hypnotize (1997), Electric Relaxation (1993), She Said (1995), Dear Mama (1995), and Never Seen A Man Cry (1995).NEW YORK – New York City Mayor Eric Adams today announced a partnership with "ITSALLBLACKMUSIC PRESENTS" to host " 5X5 Block Party Series," free block parties and events that will take place across all five boroughs celebrating the 50-year legacy of hip hop this August. This collection also includes stand-out singles such as Southernplayalisticadillacmuzik (1994), U.N.I.T.Y. Some other notable albums include Licensed to Ill (1986), Illmatic (1994), Doggystyle (1993), Reasonable Doubt (1996), Capital Punishment (1998), Run-D.M.C. The present lot spans twenty years of Hip Hop cassette tapes, with music ranging from Grandmaster Flash and the Furious Five's The Message released in 1982 to Eminem's Marshall Mathers LP released in 2000. This collection includes some of the most important albums and singles of the era and brings together an arguably impossible collection to replicate. As a whole, this collection reflects on the replication-friendly nature of cassettes and how Hip Hop found inventive ways to utilize this medium format, from recording early jams to mixtape demos. This collection represents an atlas of Hip Hop music from 1982-2002. With portability as its main selling point, the cassette tape allowed for Hip Hop to reach more ears and spread rapidly all through New York City and elsewhere. As technology advanced and shifted away from vinyl records to cassette tapes as the main method for documenting auditory media, Hip Hop was right there to reap the benefit and grew right alongside cassettes. For Hip Hop, the cassette is held at the helm of collecting recorded media from this genre. Jazz enthusiasts know that when it comes to collecting their favorite artist-recorded media, vinyl records are the way to go. A CURATED COLLECTION OF SEALED CASSETTE TAPES REPRESENTING TWO DECADES OF HIP HOP MUSIC
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